Júlio Bressane
A representative of the Brazilian Cinema Marginal, he began making films as an assistant director of Walter Lima Jr., in 1965. In 1967, Bressane debuted as director with Face to Face, being selected for the Festival of Brasilia. In 1970, he founded Belair Movies in company with fellow filmmaker Rogério Sganzerla. They chose a model of making films and low-cost production and thereby managed to run six feature films in just six months.
He came into exile in London in the early 1970s, but returned to Brazil several years later and made one film after another, using slapstick and debauchery as its main features. An acclaimed film of this period was the provocative Tabu, released in 1982. Critics consider Bressane the most scholarly of the Brazilian film directors, and his work is notable for the diversity of its narrative language. Another feature of his filmography is the comprehensive approach to historical and literary characters. He is also noted by his low-budget, short-time shootings, with an average of 11 to 14 days to make and edit a film.
Description above from the Wikipedia article Júlio Bressane licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmography (33 Appearances)
Il vento del cinema
O Fantasma da Ópera
Strade perdute - Filmmaker 23
Nietzsche em Português
The Queen of the Night
The Long Voyage of the Yellow Bus
Quando a Coisa Vira Outra
Candango: Memoirs from a Festival
A Mulher da Luz Própria
Nietzsche Sils Maria Rochedo de Surlej
About Cinema
Earth
Copacabana, Mon Amour: A Restauração
Sentimental Education
Drumming Beat of the Stars
Avacalha e se Esculhamba
Belair
A Vermelha Luz do Bandido
Ver Viver Reviver
A Miss e o Dinossauro
A Linguagem do Cinema
50 minutos e 23 segundos com Júlio Bressane
Dark Galaxy
Galáxia Albina
Torquato Neto, O Anjo Torto da Tropicália
Talking Cinema
Brás Cubas
Tabu
Naive Cinema
Horror Palace Hotel
The Agony
Chinese Viola
Lágrima Pantera: A Míssil
